Performing Arts

This is the most comprehensive and insightful reference available on Broadway theater as an American cultural phenomenon and an illuminator of American life. Broadway: An Encyclopedia of Theater and American Culture is the first major reference work to explore just how much the "Great White Way" illuminates our national character. In two volumes spanning the era from the mid-19th century to the present, it offers nearly 200 entries on a variety of topics, including spotlights on 30 landmark productions--from Shuffle Along to Oklahoma! to Oh Calcutta! to The Producers--that not only changed American theater but American culture as well. In addition, Broadway offers thirty extended thematic essays gauging the powerful impact of theater on American life, with entries on race relations, women in society, sexuality, film, media, technology, tourism, and off-Broadway and noncommercial theater. There are also 110 profile entries on key persons and institutions--from the famous to the infamous to the all but forgotten--whose unique careers and contributions impacted Broadway and its place in the American landscape. Comprises nearly 200 entries of landmark productions, important theater artists, and topics that highlight Broadway's powerful impact on American culture Brings together the work of 65 contributors, including leading academic writers and researchers in theater and popular culture as well as working theater professionals Presents a timeline of major events, including openings of selected landmark productions and birthdates of selected critical figures Showcases 80-90 photographs of key figures and scenes from landmark productions Provides a survey of both print and online resources, including general references, specific studies, and selected biographies Offers a glossary of selected production and business terms Includes an index of names, productions, and themes

While there are books about folk dances from individual countries or regions, there isn't a single comprehensive book on folk dances across the globe. This illustrated compendium offers the student, teacher, choreographer, historian, media critic, ethnographer, and general reader an overview of the evolution and social and religious significance of folk dance. The Encyclopedia of World Folk Dance focuses on the uniqueness of kinetic performance and its contribution to the study and appreciation of rhythmic expression around the globe. Following a chronology of momentous events dating from prehistoryto the present day, the entries in this volume include material on technical terms, character roles, and specific dances. The entries also summarize the historical and ethnic milieu of each style and execution, highlighting, among other elements, such features as: origins purpose rituals and traditions props dress holidays themes

For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called "British invasion." While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade's most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

Volume Four of the distinguished American Theatre: A Chronicle of Comedy and Drama series offers a thorough, candid, and fascinating look at the theater in New York during the last decades of the twentieth century.

Over the last twenty years the boundaries of dance have been radically redrawn. There has been an explosion of new activity within traditional forms like ballet, a stream of new dance languages invented by fresh generations of choreographers, and there is a growing appreciation in the West of dance forms from the rest of the world. Fans today are likely to attend performances in classical ballet, Spanish flamenco, Indian Bharata Natyam, Japanese Butoh, jazz, modern and post-modern dance. In classical ballet they may see companies as varied as the New York City Ballet, Bolshoi, or Paris Opera. In modern dance they may see work that stems from the Graham or the Cunningham schools of movement; while in post-modern dance they may be watching choreographers who mix influences as varied as folk dance, T'ai Chi, Balanchine, and Mary Wigman, or who may be practitioners of Eurocrash, minimalism, contact improvisation or release. This new dictionary by two leading and authoritative writers on dance will provide the information necessary for dance fans to navigate the diverse modern dance scene. With an emphasis on performance the dance we see in theatres today - readers will find both fact and analysis on a wide range of subjects from dancers and choreographers to dance styles and technical terms.

First published in 1984, Gerald Bordman's Oxford Companion to American Theatre has established itself as the standard one-volume source on our national theatre. It has been hailed for its "wealth of authoritative information" (Back Stage), for its "fascinating picture of the volative American stage" (The Guardian), for its "well-chosen, illuminating facts" (Newsday). The distinguished actor Jose Ferrer wrote "I'm in awe of the scholarship and research that have gone into the making of this book." And The Los Angeles Times called it "the almost perfect gift book for both the student and the theatre lover." Now Bordman has thoroughly revised this redoubtable volume, once again providing a completely up-to-date guide to the American stage from its beginnings to the present. Here are over 3,000 entries on playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. Readers will find summaries of plays as varied as The Contrast, Francesca da Rimini, Arsenic and Old Lace, Our Town, and Who's Afraid of Virginia Woolf?; biographical sketches of Edwin Forrest and Bartley Campbell, Lillian Hellman and David Rabe, John Barrymore and Jessica Tandy, George Gershwin and Cole Porter; and entries on groups such as The Actors Studio, Christy's Minstrels, and the Provincetown Players. For the new edition, Bordman has added entries on such recent plays as Fences, M. Butterfly, The Heidi Chronicles, and The Piano Lesson, as well as biographies of Len Cariou, Dustin Hoffman, Raul Julia, Tommy Tune, and August Wilson, to name a few. And as in the previous edition, Bordman gives readers as broad a picture of American popular theatre as possible, offering extensive coverage not only of classic works (such as Death of a Salesman) but also many commercially successful plays (such as Brother Rat or Getting Gertie's Garter), plus entries on foreign figures and productions that have influenced our dramatic development (from Shakespeare to Samuel Beckett and Harold Pinter). Accessibly and attractively arranged in the two-column, A-Z format for which the Companion series is famous, this is a volume of enormous erudition, an essential reference for everyone who has a passion for the stage.

Documentation for approximately three hundred shows, from A Trip to Coontown (1898) to 1981's Dreamgirls, is provided in part I. The title of each show is followed by its theatre, opening date, number of performances, complete list of creative personnel, cast credits, and, where appropriate, a list of the show's songs. Each entry also contains a plot summary, a survey of critical comment, and, where significant, an analysis of the show's historical context. Part II includes biographical entries for major performers, writers, and directors, and notes on those organizations which encouraged the growth and development of black theatre in New York City. The Dictionary concludes with a chronology of all shows included in the text, a discography of black shows, and a selected bibliography of studies related to black theatre history and criticism.